It’s been a really, really long time since I actually sat in a movie theater and saw a movie. It’s been even longer if you were to consider me actually sitting inside a movie theater AND enjoying myself. Even thinking about such an occurrence makes me raise an eyebrow in wonderment.
I don’t usually try very hard to think about what exactly it is, that is making something as badass as a movie so boring, but after having fried a million brain cells watching Charlie Sheen fuck random women while his dork brother made crappy facial expressions, and trying to figure out why almost every expression that an actor makes is interpreted by Tim Roth as either fear, contempt or shame, I decided that enough was enough and a long period of retrospection followed.
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| I'm thinking... constipated! |
The really funny thing is that I didn’t even have to see another movie to figure out what in the blue hell was going wrong with the most beloved form of industry on Earth (maybe the moon too, and the rest of the Solar System). Here’s what:
#5 The 3-D Problem
One movie. That is how much impetus Hollywood needed to throw a shit-load of 3-D movies on our faces. That one movie, as you might have rightly guessed is Avatar. Because after or alongside Avatar came Clash of the Titans, Resident Evil – Afterlife, The Last Airbender, The Final Destination, My Bloody Valentine, Saw 7, Step-Up and tens of animated movies like Shrek Forever After, Up, G-Force, The re-release of Toy Story 1 and Toy Story 2, Toy Story 3, Despicable Me, etc., all in 3-D. God help us, because there was also a Tamil movie, Chutti Chattan (or something like that) which can be added to the list.
I mean, what the fuck? I understand 3-D in action or fantasy movies, but Step Up? Saw? What was the idea folks? Blood/organs/limbs flying out the screen supposed to be the new USP of movies?
And there’s more. Notice the movies that have come out in 3-D. All of them are either crappy movies trying to continue the lame overworked storyline of a movie franchise or crappy movies with no storyline trying to start a franchise. And if you are still bonkers enough to go watch the 4th part of a mindless action flick like Resident Evil which also seriously lacks sense and story (but has Mila Jovovich), here’s another problem.
I have, so far, seen only one 3-D movie. That is Avatar. The experience was just a little bit better than the first thirty five seconds of What’s Your Rashee? Not that Avatar was a bad movie. I love what Cameron did to Sam Worthington’s face, but the 3-D goggles were really problematic. Here’s a small list of problems/bad experiences:
a) Your 3-D glasses raise the price of an already overpriced movie ticket by at least 50 bucks.
b) Your 3-D glasses are totally not worth that.
c) Your 3-D glasses can be totally smudged and dirty, making watching a movie irritating. For example, considering that the only significantly noticeable thing in Avatar was the Art Direction, what is the point in paying extra money watching a 3-D movie if all your glasses let you see are large, smudgy, blue and red shapes?
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| That would be an extra Hundred And Eighty Rupees, sir. |
d) You might try to clean the glasses, at which point the cheaply assembled plastic-y lens might just pop out. You might have to rush out the auditorium to get a new pair, and guess what, by the time you return, Stephen Lang is already dead.
e) You might be wearing spectacles. Not a problem for those who enjoy irritation.
In conclusion, 3-D = NOT happening.
#4 The Repeating Stories
There is a reason that we use the word cliché. Like, for example, most of the movies made in Bollywood are clichés. And the funny thing is, I find it hard to blame that on the directors and actors, because seemingly, the audience in our country very quickly sets up a list of expectations from each person and then expects the person to live by them come hell or high water. Therefore, Shah Rukh Khan cannot be seen doing a hit action flick and nobody imagines Manoj Bajpai doing a rom-com. But instead of finding progressive stories that fit the viewers’ expectations, we have repeating stories.
Therefore, once we realized that movies like Jaane Tu Ya Jaane Na, consisting of nothing but an above average soundtrack and aimless, idiotic rich youngsters who can’t distinguish between friends and lovers until the ‘airport scene’ could become a money making phenomenon, we immediately had Ranbir Kapoor, Sonam Kapoor, Deepika Padukone , Imran Khan and Priyanka Chopra doing a series of similar bullshit, like I Hate Luv Storys, Anjaana Anjaani, Break Ke Baad, etc., all of which appealed to almost nobody except some deprived teenage girls and their boyfriends. You can suck on it Imran, because we hate love stories too, and guess what, we can even spell it right!
And this is not limited to the romantic flicks alone, because serious directors like Ashutosh Gowariker and Sanjay Leela Bhansali are equally monotonic. Apart from two romantic movies – Hum Dil De Chuke Sanam, and its disastrous experimental replica, Saawariya, Sanjay has made only one kind of progress: From deaf-mute in Khamoshi to deaf-mute and blind in Black followed by quadriplegic in Guzaarish. So touching.
On the other end, we have Ashutosh Gowariker, whose movies include patriotic villagers escaping land taxes by playing cricket in Lagaan, a patriotic NASA employee coming back to reform his village inSwades, a patriotic emperor Akbar who defends his territory, honor and bitchy wife Jodha with relentless zeal and finally a patriotic bunch of teenagers who take out their puberty related frustrations on the Angrez in his recent movie Kheley Hum Jee Jaan Se. I wonder if he wants a wet kiss from the ghost of Chandrasekhar Azad. Will he stop after that?
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| "Bhagat is OK too... This Bhagat." |
#3 The Franchises
What Bollywood does with repeating stories, Hollywood does with franchises. Seems like every movie that makes it big in Hollywood has to have a sequel. While some of them do live up to one’s expectations, like the Bourne Series, or the reboot of Batman by Christopher Nolan, others are what can be called damp squibs, lacking the story and/or substance of their predecessors simply because they were made with not the fine art of movie-making, but profit in mind. Take for example, the Resident Evil series, watching which would be a pointless expense from the third part onwards or any long-drawn superhero franchise. Spiderman was a phenomenal movie, despite the fact that it had Kirsten Dunst and James Franco in the same cast; Spiderman 2 was also surprisingly good, but the third part murdered all that credibility in a ‘venom’ous blow. It was so bad, that the whole Spiderman franchise is now being revamped, with Andrew Garfield as the new Peter Parker and Sam Raimi no longer the director. Nothing like making two more mistakes to take it to a totally new level of terrible.
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| "Can Megan Fox be Mary Jane? Pleeease?" |
Apart from that we have two equally disgusting Hellboy movies, 3 bad sequels from the X-Menfranchise with another two slated for release next year, 8 movies from the Potty franchise, and 5 from the mind-numbing Twilight franchise. It seems the Harry Potter movie makers found it difficult to adapt a 607 page book into a single movie, when it was alright to make Order of the Phoenix (776 pages) into a single one. If that doesn’t shout profit, I don’t know what does. (Mere coincidence that the Twilight makers did the same?)
Talking of franchises, Hollywood makes one out of every successful movie which wasn’t made for sequels. The Oceans’ series is a good example, and so are the upcoming sequels of The Hangover (Seriously?) and Kung Fu Panda (pretty much a given considering what Dreamworks did to Shrek).
I’m afraid that a time will come when there will only be movie franchises and we’ll only see movies with almost similar names, completely similar characters and no story. Personally, I would save the tigers sometime later.
#2 Bad Acting
Bad acting is becoming more and more prevalent as we have more and more movies that rely upon mindless action, millions of dollars worth of CGI, and movies already assured to be commercially successful because of the perverse fandom of the books they were adapted from. Wouldn’t you expect an ageless vampire to be portrayed by a person who looks like he has seen the shit through the centuries? But no. It’s Robert Pale Patinson. In point of fact, it is very lucky occurrence that the Edward Cullen bunch of vampires stopped aging around the age of 20, because others ageless characters like, say Gandalf, will certainly not appeal to a high-school girl, even if she’s played by someone as stone-faced as Kristen Stewart.
And bad though they maybe, Twilight cast members can hardly match up to Quinton Jackson in The A-Team, or Vin Diesel in any movie at all.
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| "Did you hear? Bella is dating that ageless dude!" "EW!" |
And bad though they maybe, Twilight cast members can hardly match up to Quinton Jackson in The A-Team, or Vin Diesel in any movie at all.
| "Imma ANGRY... FOO!" |
Back here in our country, we not only have the famous casting couch, but also something much worse. It’s the big names of Bollywood, ‘launching’ their beloved sons and daughters and nephews and so on and so forth. Imagine the whole of Bollywood salvaging itself and portraying actually talented people, if a lot of the following were not given a chance of their lifetime by a relative with references – Uday Chopra, Emraan Hashmi, Imran Khan, Sonam Kapoor, Jacky Bhagnani (LOLZ!) etc. There are many I’ve missed, and many, many more to come, like for instance David Dhawan’s son is being launched in a Karan Johar movie. And the last time I tried, I couldn’t remember the name of a single prominent struggling actor/actress who was also good at acting.
#1 Non-intelligent Cinema
There is a phrase in the English language: ‘Simple to the point of being stupid’. We here at Bollywood have adapted it with the fullest of positive thinking, and we pour it into every movie with delicate care. The characters, sets, conditions and situations in most of the movies are designed in such a way that everything hits you easily and comfortably in the realm of predictability. You know before going to almost every romantic movie that the hero and heroine will get a ‘happily ever after’ at the end. And this moronic concept will be sugarcoated with a crappy, obvious underlying message like suicide ain’t good for ya, or don’t hate love stories. Yawn.
Hollywood movies are worse in that respect because although some of them might be intelligent, you walk out of most others feeling like you have been mocked. Here’s an example: In Salt, Angelina Jolie makes a freaking ROCKET LAUNCHER out of a fire extinguisher and some other crap like that. Also, in almost all recent Hollywood action movies with eight-figure budgets, the laws of Physics take a walk in the park. Take for example Iron Man 2, one of the STUPIDEST movies I have seen. Tony Stark and Pepper Potts carry the whole suit with all the weaponries and technical wizardry in a small briefcase that they flick around like it was filled with Monaco biscuits. The villain Whiplash, disturbs the shit out of a Formula Racing event and nobody could do anything to him despite the fact that 60 percent of his body (including all his vital parts except the penis) were uncovered. What are we, idiots?
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| But you have to watch ANY movie with Scarlett in tights |
We really don’t have to go into those Salman Khan movies do we? If you want, you can check out my article on Dabangg.
My goodness, this article’s become as long as an Ashutosh Gowariker movie.
Oh, well. There’s always hope.
















